At the Los Angeles Film Festival I caught Rory Kennedy’s powerful and moving Last Days in Vietnam. If you think you are familiar with the story of the botched and frantic – and heroic – American evacuation of Vietnam, with the fall of Saigon, including some many tens of thousands of lucky Vietnamese, this film […]
Thumbs Up for “Three Masters”
My latest film criticism, “Three Masters: Spielberg, Anderson, Haneke, and Their Audience,” excerpted in the previous post, is recommended reading for the week at RogerEbert.com. If that doesn’t get you to read, I don’t know what to do with you. (But I’ll think of something.) A further excerpt: In Saving Private Ryan, the film’s ultimate sentimentality, […]
Three Film Masters
My latest film criticism is available now at Bright Lights Film Journal. “Three Masters: Spielberg, Anderson, Haneke, and Their Audience” addresses the question, as the tag line has it: “Is the filmmaker tyrant, aesthete, ringmaster, or hermit?“ It is commonly claimed by artists that they create for themselves. Wrote Stanley Fish, to whom I respond,”If […]
The Third Narrative: Not So Third, Not a Narrative, Not New
(This essay originally appeared in the Algemeiner on April 3, 2014.) I regret to say that a fair number of people I respect (and some not so much) have signed on to a statement about the Israeli-Palestinian conflict that, evince as it may the best of intentions, is nonetheless, in truth, very considerable twaddle. I […]
Ave Atque Vale
from Ave Atque Vale by Algernon Charles Swinburne XVIII For thee, O now a silent soul, my brother, Take at my hands this garland, and farewell. Thin is the leaf, and chill the wintry smell, And chill the solemn earth, a fatal mother, With sadder than the Niobean womb, And in the hollow of her breasts […]