Hans Richter (1888-1976) was an early Dadaist, and along with Futurists Bruno Corra and Arnaldo Ginna and fellow German Walter Ruttmann, was among the earliest makers of abstract film. Filmstudie (1926) was his third film, following on Rhytmus 21 and Rhytmus 23. Richter moved to the U.S. in 1941 and in the 1950s was Professor […]